GSTV Partners with Vistar Media for Ad Serving Technology
New Tech Supports Increased GSTV Programmatic Demand
New York, New York - Vistar Media, the leading global provider of software for programmatic digital out-of-home (DOOH), and GSTV, the national video network engaging and entertaining targeted audiences at scale across tens of thousands of fuel retailers, have formed a strategic partnership for Vistar to power GSTV’s network of digital displays with ad serving software.
For the past four years, GSTV has seen massive success participating in Vistar’s programmatic marketplace through the Vistar supply-side platform (SSP). Building on that trusted partnership, support and its rapid network growth, GSTV has now transitioned its ad serving system onto Vistar’s technology. Vistar’s ad server enables GSTV to ensure reliable content and ad delivery across more than 28,000 locations nationwide.
Partnering with Vistar to streamline its business operations technology enables GSTV to focus on its core expertise of creating and delivering compelling media experiences across its network. Vistar’s software takes on the complexities of scheduling, managing and reporting on ads, while also enabling automation for GSTV’s content requirements.
“We are focused on growing our cutting-edge network along with developing meaningful media experiences that drives action and creates lasting brand impressions. To optimize the flexibility that buyers require at our scale, we knew that we needed to adopt a future-facing ad-serving solution,” said Winston Benedict, Chief Technology Officer, GSTV. “Vistar is a proven partner that combines enterprise-grade engineering with nimble innovation to meet the needs of our growing network. This partnership sets our network up for success today and in the future and ultimately to best serve our client partners.”
Working hand in hand, the Vistar and GSTV engineering teams have created a scalable solution to maintain the high-quality media experience across GSTV’s tens of thousands of locations. In the past year alone, GSTV’s programmatic business has more than doubled YOY. With the upgrade, the new Vistar ad-server unlocks additional unsold GSTV supply for programmatic monetization for the first time to meet growing demand.
“GSTV offers advertisers the ability to reach a highly engaged audience while at the pump, and we’re thrilled they have selected us as their partner to set their network up for optimal success,” said Eric Lamb, SVP, Supply at Vistar Media. “By implementing our ad serving solution, GSTV can now seamlessly manage their inventory and deliver content and advertising across a stable network.”
Vistar’s ad serving and network management technology is available to enterprise and startup networks globally. For more information about Vistar, please direct inquiries to info@vistarmedia.com. To learn more about programmatic advertising on GSTV, please visit gstv.com/programmatic.
About Vistar Media
Vistar Media is the leading global provider of programmatic technology for out-of-home, bringing enterprise-grade software that was purpose-built for the unique requirements of digital signage. Vistar provides a global demand-side platform (DSP) for buyers to activate data-driven programmatic campaigns and a supply-side platform (SSP) to connect signage operators to digital revenue. Vistar also powers some of the world’s most advanced signage networks with device & content management software (Cortex) and ad serving technology. Vistar was founded in 2012 and is headquartered in New York, NY. For more information, visit www.vistarmedia.com.
About GSTV
GSTV is a data-driven, national video network entertaining targeted audiences at scale across tens of thousands of fuel retailers. Reaching one in three American adults monthly, GSTV engages viewers with full sight, sound and motion video at an essential waypoint of their consumer journey, and GSTV is the only consolidated and scaled digital media platform in the convenience and fuel channel. Analysis of billions of consumer purchases demonstrates that GSTV viewers spend significantly more across retailers, services, consumer goods and other sectors following a fuel transaction. While offering consumers entertaining and informative content, GSTV drives immediate action and creates lasting brand impressions, delivering measurable results for the world’s largest advertisers. Visit www.gstv.com for more information.
Adweek: How GSTV Works With Music Artists and Film Companies
by Meseret Ambachew, Adweek
GSTV's chief executive officer and president Sean McCaffrey says his company reaches 40% of people across the U.S.
The digital OOH company invited MGM Studios' CMO during its NewFronts presentation to talk about the success of its content partnership
Retail digital display company GSTV presented at the IAB’s NewFronts for the third time on the event’s final day, held virtually.
The company touted its reach of 105 million people across the U.S., mainly through displaying content at gas pump stations, which is 40% of adults in the country, according to company chief executive officer and president Sean McCaffrey. With the average consumer pumping gas at least three times a month, the company chalks that up to 15 minutes of time spent with its display.
“The experience itself is outside the home when you use that three to four minutes of dead air,” McCaffrey told Adweek.
Gas prices are at an all-time high, but the alarming numbers haven’t appeared to limit GSTV’s ability to cut content partnership deals, driving its ad business and audience growth. And it’s becoming defter at showing the impact of those deals. Through GSTV’s recent partnership with insights company Affinity solutions, the company found it is 50% more efficient than digital video for campaigns like consumer packaged goods.
Raising the volume on music artists
PG County, Maryland native music artist, Reggie Becton, was invited to speak at its presentation. Becton is in a partnership with Live Nation Entertainment, which currently displays four-minute-long content through GSTV.
Artist Reggie Becton saw his listenership almost triple after his Live Nation video featured at Shell gas stations.
The music artist said he received an influx of messages from friends and fans on his Live Nation spotlight video displayed at Shell gas stations. “It was just like wildfire after that,” said Becton.
According to Becton, within two months Becton’s Spotify listenership nearly tripled, his followership on the platform is now over 255,000.
From small screens to big screens
GSTV also highlighted a partnership with film company MGM Studios, where the company used GSTV’s in-house content studio, Ignite, to create content campaigns for its films.
According to GSTV executive vice president and chief marketing officer, Steve Ochs, after MGM’s video takeover campaign to promote The Addams Family 2, MGM tapped GSTV again in February for its Channing Tatum featured film, Dog.
MGM Studio chief marketing officer, Stephen Bruno, noted the current difficulty of encouraging viewers to go to the movies, but GSTV’s method of unexpected creative—plus the time and place—”helped MGM break through the clutter,” said Bruno.
Adweek: Deepfakes At The Gas Pump Scares Up Data Privacy Awareness
The video is part of a follow-up campaign to viral 2011 stunt 'Take This Lollipop'
By Patrick Kulp | Adweek
GSTV host Maria Menounos' face is replaced with deepfake technology. Take This Lollipop
Tens of millions of Americans filling their gas tanks this week may be in for a fright at the pump this season. No, it’s not about gas prices. Rather, it’s what is expected to happen from viewing a creepy campaign about privacy issues being shown on screens at the 24,000 Gas Station TV (GSTV) locations across the country.
The scene shows the friendly face of the TV anchor at the pump transforming into the villainous visage of a man with a sinisterly voiced warning about digital data collection.
The stunt, which involved using deepfake technology to replace the face of GSTV host Maria Menounos, is part of a new online privacy campaign that also includes a hair-raising Zoom video experience putting viewers in the center of a horror movie-like plot via their webcam.
The entire project is a belated follow-up to a 2011 viral stunt called “Take This Lollipop,” a Facebook app that captivated a more innocent generation of social media user with videos of the same ominous character reciting data about each viewer collected through Facebook’s data-sharing practices.
Creators Jason Zada, a film director, and Jason Nickel, a developer, said they hoped to reprise the success of that effort and the awareness it brought to Facebook’s data policies, but were waiting for the right cause.
“We took our time only because it really felt like we needed to find the right idea with the right piece of technology at the right time,” Zada said.
“It just so happened that a pandemic made that possible with this massive shift in technology and social communication–everybody started using Zoom,” he continued. “So the question was, ‘How can we use this current time in society in technology to our advantage and take something that we all rely upon, and and sort of twist it and turn it around a bit?'”
The result is an approximately 4-minute long Zoom video experience that detects your face and places the viewer in a Zoom call with three actors, two of whom—spoilers ahead—are spirited away by some unknown entity in suspenseful fashion before an augmented reality figure appears in the background of the viewer’s own room. The remaining participant then reveals herself to be the campaign’s trademark villain.
Zada and Nickel said the original goal had been to deepfake each viewer in real-time, but they couldn’t pull off the the technology in time for the launch. Instead, they decided to incorporate the deepfake element into a deal with GSTV and Menounos to hijack her regular segment with an ominous message.
“The general idea was that Halloween has been cancelled for the most part for a lot of people. Even brands have been shifting away from doing anything Halloween-related this year. And it seemed like the perfect opportunity,” Zada said.
“But you mix that with an election year in which there are these deep fakes that exist, there is AI, there is the hacking of the election, there’s the hacking of just general politics,” he added. “It was kind of interesting to look at how we could use deepfake in a more consumer-friendly way and show people that like, ‘I could access you–not your data anymore—but I could access you, I could recreate you, I could become you.'”
A recent survey of researchers ranked deepfakes as the number-one cyber-criminal threat posed by AI. Its nefarious potential extends beyond the creation of fake news footage of public figures–an oft-discussed threat that has yet to materialize in any significant way beyond YouTube gags, per deepfake tracking platform Sensity. Other areas of concern include identity theft, video call scam extortion and its most prevalent use as of a source of non-consensual pornography.
Despite those fears, advertisers have been latching onto the tech as a way to circumvent production constraints brought on by the pandemic or spread political messages.
Meanwhile, Facebook’s Cambridge Analytica scandal has made the issue tackled by the first “Take This Lollipop” campaign a critical national political issue that played a role in the 2016 election. Could they end up being as prescient this time around?
“We’ve always been a fan of just exploring future business models around content, entertainment and technology that I think we’re going to rely upon it more and more,” Zada said. “It’s a great time to be a storyteller, in terms of being able to use technology to power and enable original entertainment that breaks new ground.”
AdAge: 'Take This Lollipop' Returns To Teach A Creepy Lesson About Deepfakes
Jason Zada's viral Facebook app gets a follow-up featuring new tech scares
By I-Hsien Sherwood | AdAge
In 2011, a creepy Facebook app called Take This Lollipop went viral. It used private data captured by the platform to send viewers on a customized horror adventure, stalked by a tech-savvy villain who pinpointed the locations of their actual houses.
Now, nine years later, creator Jason Zada is back with a sequel that taps into the danger of a new type of digital technology: deepfakes. While advertisers and satirists have used the tech to fake words from world leaders, it isn’t only celebrities who can end up in seemingly compromising positions or appear to say things they didn’t. Consumer-level apps have been banned for faking nudes of women and underage girls.
In “Take This Lollipop 2,” Bill Oberst Jr. returns as the stalker, only this time he steals viewers' faces, showing how far the tech has come from its early days, when algorithms needed hours of footage of a person to emulate their features. "Take This Lollipop" is now a dedicated site that uses webcam footage to put viewers in the film, which looks like a video chat service, complete with an AI-powered interactive chat window. One-by-one, the other viewers meet a terrible fate
Zada directed the interactive short, which was built by Imposium and enlisted the skills of deepfake artist birbfakes. Promos feature Maria Menunous of GSTV.
Business Insider: A Gas Station Ad Platform Says Its Business Is Soaring in the Pandemic As Driving Picks Up. Here’s the Pitch Deck It’s Using to Win Advertisers.
By: Patrick Coffee | Business Insider
GSTV, which runs ad-driven videos at gas stations, has grown in recent months despite the pandemic's dramatic impact on the ad industry, according to CEO Sean McCaffrey.
Its pitch deck to advertisers makes the case that they can reach people in transit at a time when they're likely to spend money.
GSTV hopes to be an alternative way for brands to boost sales now that foot traffic is down and the status of big advertising events like live sports remains unclear.
Visit Business Insider's homepage for more stories.
The pandemic has people relying on their cars more than ever before — and advertisers want to reach them as they drive.
That is the central insight behind a pitch deck that GSTV used to return to growth by emphasizing the continued role that gas stations play in American life, according to CEO Sean McCaffrey.
GSTV is a private, nationwide network that provides an ad-driven video service to stations and convenience stores like Circle K and Speedway. Each day, GSTV releases an original clip of news, sports, entertainment, and ads that plays in front of drivers as they refuel.
McCaffrey said the platform, with 24,000 locations, reaches one in three American adults who are traveling by car.
GSTV is classified as out of home advertising, which accounted for $8.6 billion in spending last year. McCaffrey wouldn't share GSTV's revenue but said its clients include PepsiCo and that some brands have spent up to eight figures on the platform annually.
He said a key element of its appeal is that people spend far more money on the days they refuel, particularly at grocery stores, big box retailers, and fast food chains. And most also use their credit cards to buy gas and other items at the stations, creating anonymized first-party data that GSTV can use to target ads.
McCaffrey said the company then helps advertisers run hyper-local campaigns that promote nearby businesses or target the sort of people most likely to use a certain gas station based on both demographics and buying behaviors.
"We think of each station as an addressable household," he said.
GSTV hopes to fill a void left by the cancellation of live sports and other top ad spaces
McCaffrey said his company has weathered the effects of the pandemic and exceeded pre-coronavirus growth in recent weeks via the strategy outlined in the pitch deck GSTV has presented to media-buying agencies and brands.
"We've had more brand-direct conversations in the past six months than in the last two years," McCaffrey said. "Brands are generally taking more ownership of outreach because the market is so chaotic."
The deck also emphasizes the money left up in the air by the cancellation of major pro and college sports leagues to appeal to marketers who are under pressure to prove that their spend drives sales.
Another reason GSTV was less affected by the pandemic than some ad businesses, McCaffrey said, is that its audience included essential workers who were on the front lines in the earliest days of the quarantine.
The platform has also collaborated with the Centers for Disease Control and Prevention and the Ad Council in recent months, airing public health campaigns and PSAs encouraging consumers to frequent restaurants and other businesses.
The deck claims GSTV has more locations than McDonald's or Starbucks.
Partners include the NFL, Live Nation, host Maria Menounos, and news network Cheddar.
Data from Mastercard says customers spend almost four times as much at big box stores after filling their tanks than they do on days they don't fill their tanks.
The deck says Chipotle can use GSTV data to target people who live near a restaurant or whose demographics make them likely customers.
GSTV worked with IPG's Acxiom to target those most likely to own a particular brand of car.
Affordable gas has encouraged greater mobility amid lockdowns, according to the deck.
GSTV argues advertisers can reach Americans driving over the holidays as driving replaces air travel.
Its data shows consumers on the move spend more at each stop than they did pre-pandemic.
Spending at convenience stores is up more than 100% compared to the same period in 2019, the company says.
TV viewing is also down by more than 20% among key demographics since the pandemic's peak in March.
GSTV claims it can help replace the billions lost in live sports ad deals.
Gas stations were among the businesses least affected by the pandemic, according to data from Foursquare.
LaLiga North America expands US reach with GSTV content deal
via SportBusiness
US-based national video network GSTV has signed a content deal with LaLiga North America, through which it will show short-form content from the top tier of Spanish football.
LaLiga will begin offering exclusive highlights clips for GSTV from this week and the deal has been signed ahead of the start of the new season on September 12.
LaLiga becomes the first professional football league to offer content on GSTV, which also provides National Football League and Major League Baseball coverage.
GSTV reaches 92 million unique viewers a month.
Boris Gartner, chief executive of LaLiga North America, said: “We want to deliver LaLiga content to our fans wherever they are and partnering with GSTV adds yet another touchpoint with our US audience as we build on that strategy. We are excited to bring the action of the best soccer league in the world to one in three American adults across the country.”
LaLiga North America is a joint venture between LaLiga and Relevent Sports Group, and serves as the exclusive representation of the competition in the US and Canada for all business and development activities.
In June, LaLiga North America teamed up with global sportsbook operator PointsBet to create a new slate of gambling-focused digital programming to coincide with the league’s return to action.
Martech Zone: GSTV: Target Consumers at the Pump with Location-Based Video Experiences
By: Douglass Karr | Martech Zone
Every day, millions of Americans get in their vehicles and go. Fueling up drives commutes, commerce, and connection; and that’s when GSTV has their undivided attention.
Daily, at tens of thousands of locations, their national video network owns a unique moment that matters, when consumers are engaged, receptive, spending more today and influenced for tomorrow and beyond. In fact, GSTV reaches 1 in 3 American adults monthly, engaging viewers with full sight, sound, and motion video at an essential waypoint on their consumer journey.
GSTV Overview
Case studies of GSTV include social engagement, retail sales lift, increasing ad effectiveness, store and dealership visitation, lift in consumer spending, building viewer awareness and tune-in, and lifts in website visitation.
GSTV Short Form Video Example
Chances are that you’ve seen and responded to these short form videos that drive a call-to-action. Here’s a great example for retail establishments to get someone who is pumping gas to walk into the store and make a purchase:
GSTV Reach
GSTV engages adults with hundreds of millions of individual 1-to-1 interactions to entertain, inform, connect, and deliver a moment that moves today and matters tomorrow. Benefits of their target audiences include:
Spending – A young, active, affluent audience, who spends +1.7x more following a fuel transaction
Real People – A Nielsen audited network, with no bots, no fraud and no DVRing
Brand Safe – Premium content curated for a general audience
Engagement – Traveling, dining, listening, shopping, spending, and more while engaging at a pause point in their journey
Capabilities through GSTV’s 95 million unique visitors includes the ability to target first party audiences based on their demographic, geographic, and behavioral data.
GSTV helps marketers achieve quantifiable business results and maximize their ad spend. GSTV has delivered double-digit increases in retail visitation, millions of dollars in sales lift, and significant increases in brand metrics for some of the world’s largest advertisers.
GSTV Extends Content with Loop Media
Loop Media, a streaming media company focused exclusively on premium short-form video, announced a content partnership with GSTV to produce and share short-form music videos, top new music videos, movie trailers for new releases, and top movie trailer compilations.
This short form streaming content provides opportunities for brands and marketers to effectively target consumers outside the home.
For Brands Seeking True Attention, Perceptions of DOOH and Place-Based Must Change
By: Sean McCaffrey, President and CEO, GSTV | via OAAA
We’re in the thick of IAB’s NewFronts week, when brands tune in to presentations from Snap, TikTok, YouTube, Roku, GSTV, and others. Presenting alongside notable digital and video platforms, OTT and CTV newcomers, and others across the media and entertainment landscape, how does a platform like ours — rooted in legacy “placed-based” association, yet boasting video partner-like capabilities — fit in?
Historically, it wouldn’t. Part of our reason for being here is to continue shifting the narrative around what that means, because for us and others, it has evolved dramatically and demands a closer look. There is significant opportunity for brands seeking real attention and engagement and the ability to reach consumers at scale to deliver meaningful business outcomes.
Media buyers are tearing up playbooks and focusing on proving to clients that their investment drove sales lift and ROI, creating massive opportunity for DOOH publishers to change perceptions and refocus marketers’ thinking on what true scale, attention and impact can mean. Why? Because efficiency and impact are more important than ever to earn a place in media strategies.
We need to move beyond screens and towards obsessing over audiences, behaviors and impact — and how DOOH has a valuable place in media plans to deliver on those outcomes.
The OOH industry classically prioritizes the physical nature of billboards and screens — geographic location; proximity to destinations; display and resolution; one-to-many audience ratios — context and cost. Location is important, however, marketers miss a bigger POV by not investing in DOOH. The DOOH industry has rapidly evolved from static environments into dynamic, engaging, attributable video platforms with similar, and sometimes larger, audience scale and measurable returns than other household name video publishers.
Consider how DOOH platforms fit consumers’ state of mind, the place in their journeys before and after as behavior shifts, and how we connect, amplify and impact the entire comms planning strategy and media mix.
Video buyers are aware that DOOH platforms have become dynamic and share traits of traditional video platforms they love, but perceptions are hard to change. In a recent OAAA Lunch Break, Essence Global Chief Media Officer Adam Gerber shared that while both watching a show on the couch or scrolling through the phone and seeing a billboard are valuable from the POV of agencies and marketers, those experiences aren’t equally weighed.
What differentiates them is the notion of attention. While TV and walled gardens may be the de facto buy for premium experiences and captive environments, what marketers forget is consumers are screen surfing and likely to see both while not paying attention to either.
We hear this regularly from buyers new to GSTV who are surprised to learn that we are more than our 24,000 locations, and more than just video: Our platform engages a captive audience surrounded by important purchase decisions, during a moment when consumer attention and engagement is at the forefront.
The renewed interest in DOOH, and its rapidly evolving definition, has opened the window for companies like ours and others to make these points clear. We should embrace disruption and seize opportunities to accelerate the pace of change. “Place-based” is an oversimplified idea that fails to capture the depth and evolution of DOOH, and reconsidering the DOOH opportunity for consumer attention, engagement and action are in the best interest of every ROI-focused brand.